“It is the sensory nature of sculpture I find most appealing. For me, sculpture is not only tactile in the creative stages, but is also tactile and palpable to the person viewing it in finished form.
The observer often wants to reach out and touch the pieces. I draw on this sensory attraction to create the organic forms - be they abstract or representational - that emerge from the medium I am working with, whether that is clay, plaster, alabaster or soapstone”